Lee Bontecou: All Freedom in Every Sense at MoMA

07 June 2010 | Uncategorized
Lee Bontecou, Untitled, 1980-1998, Welded steel, porcelain, wire mesh, canvas, wire, and grommets, 7 x 8 x 6' (213.4 x 243.8 x 182.9 cm). The Museum of Modern Art, New York. Gift of Philip Johnson (by exchange) and the Nina and Gordon Bunshaft Bequest Fund. © 2010 Lee Bontecou

Lee Bontecou, Untitled, 1980-1998, Welded steel, porcelain, wire mesh, canvas, wire, and grommets, 7 x 8 x 6' (213.4 x 243.8 x 182.9 cm). The Museum of Modern Art, New York. Gift of Philip Johnson (by exchange) and the Nina and Gordon Bunshaft Bequest Fund. © 2010 Lee Bontecou

I have never been a huge fan of Bontecou’s but I so enjoyed this small exhibit of works on paper and sculptures. Best-known for her wall sculptures made from old conveyor belts stitched together, these works allow a more intimate view of the artist’s creations. Often made with soot, the drawings are otherworldly and less “gas-mask-like” then her familiar sculptural work. The centerpiece of the exhibition is a delicate mobile that casts shadows on the base below as it slowly moves. The show is well worth seeing on a visit to MoMA.


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